Tag Archives: feminist history

Imagining a Body-Positive Future

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Laurie and Debbie say:

Anna North’s recent article in Vox, “The past, present, and future of body image in America,” is an interesting experience for the two of us to read. We have recently completed an academic article, on submission to a special issue of Fat Studies, which is surprisingly similar in its scope and outlook to North’s piece. Assuming it gets accepted, we’ll share that here when it is published in 2022; meanwhile, North’s piece is a different trek over much of the same ground, well named as “the past, present and future of body image.”

North’s conventional journalistic opener quotes a directly affected person (in this case, Elena Ariza, now 21, talking about her experiences with body-shaming as a Latino student in a predominantly white California middle-school and high school.

bullying over weight and appearance is far from a thing of the past. In some ways, it might be worse now: The sheer number of images young people have to deal with every day has multiplied a thousandfold, and those images are often manipulated with Photoshop or filters that create a homogeneous appearance that’s unattainable for many people. “They manipulate your features to become Eurocentricized,” Reanna A. Shanti Bhagwandeen, a freshman at Bates College, told Vox. “It gets rid of, I guess, me.”

Meanwhile, many young people today say the term “body positivity” has been coopted by thin, white, or light-skinned celebrities and influencers — the same people whose looks have been held up as the beauty ideal for generations. What’s more, some of those influencers celebrate features once stereotypically associated with Black women, like full lips, even as Black women themselves remain discriminated against for their appearance.

She goes on to discuss the Facebook/Instagram issues which Debbie wrote about here last week, and later some of the public reaction to the leaked documents.

young people and educators say what’s needed most at this particular stage in the body image wars are guides to help people navigate the torrent of information they now get about their appearance. Teens and kids especially need regular education about “social media and what healthy relationships look like, and what body image means,” Pascale Saintonge Austin, who oversees the Just Ask Me peer education program at the New York nonprofit Children’s Aid, told Vox. “There just needs to be more of a conversation with our young people.”

North then takes us back into a very brief history of the roles of thin-ness and fatness in earlier centuries in Europe, and a somewhat deeper dive into the history of the fat acceptance movement. She is scrupulously careful to keep reminding her readers of the links between fatphobia and racism:

[In the early 1970s,] Black writers and activists were also linking weight discrimination and racism, as Briana Dominici notes at Zenerations. “I’m a woman,” welfare activist Johnnie Tillmon wrote in 1972. “I’m a Black woman. I’m a poor woman. I’m a fat woman. I’m a middle-aged woman. In this country, if you’re any one of those things you count less as a human being.”

“If you are a fat Black person, particularly a fat Black woman, you are more likely to receive worse medical care, you’re more likely to be discriminated against at your job,” [Sabrina] Strings [author of Fearing the Black Body: The Racial Origins of Fat Phobia] said. “There are all these ways in which having more than one identity characteristic that Americans deem to be coarse will put you in a position for facing greater amounts and different forms of oppression.”

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In the last ten years, North recounts, things have begun to change:

Nothing happened overnight — in 2012, when writer and influencer Gabi Gregg posed in a “fatkini” and wrote about it for xoJane, the image of a size 18 woman proudly modeling swimwear was still unusual enough to go viral. And swimwear options for women Gregg’s size were still few and far between. The winds of change were blowing, however, as companies realized they could make money selling to the millions of American consumers who were being ignored or alienated by ultra-skinny models and restrictive size ranges.

In 2016, Sports Illustrated put its first plus-size model, Ashley Graham, on the cover. In 2019, brands like American Eagle and Anthropologie began expanding their sizing. The rise of direct-to-consumer brands advertising on Instagram also meant a wider array of sizes and a more diverse group of models appearing in customers’ feeds.

As both our forthcoming article and North are very aware, social media, of course, is a major driver of all the different things that are going on at the same time:

Maybe the biggest difference between the media environment today and in the ’80s or ’90s is that there’s just more now, of everything. Growing up, magazines were dominated by super-skinny models, but “you could take a break,” Austin said. “There was no Facebook or anything like that,” and “it’s not like you had Netflix or DVR.”

Today, by contrast, “it’s so much information,” Austin said. That information can include body-positive messages, but it also, increasingly, includes images of people who have had plastic surgery or use filters or Photoshop to look a certain way. “Everything is so enhanced,” Austin said.

And North and the two of us end on very similar positive notes. While the problem remains huge and the damage being done every day is real, nonetheless there are new kinds of paths through and resources to draw on:

In the wake of revelations about Instagram’s impact on young people, Congress has shown an appetite for increased regulation of social media platforms. Frances Haugen, the former Facebook employee who helped bring the company’s internal research to light, has suggested a number of reforms, including increasing congressional oversight, greater scrutiny into Facebook’s algorithms, and increasing the minimum age for users from 13 to 17.

It’s too soon to tell whether such reforms will pass or whether they’ll have a meaningful impact on the kinds of messages young people get about their bodies. But in the meantime, young people themselves are navigating the confusing sea of contemporary body image discourse, offering guidance and inspiration for others along the way.

Ariza’s advice is to “unfollow accounts that make you feel like you need to compare yourself or you need to change,” she said. “Follow people who are going to influence you to go on a 30-minute walk or read a new book or go visit this exhibit.”

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Although she never says it in so many words, North’s article implies that she believes, as we do, that nothing can change if we can’t imagine it changing–and if we aren’t willing to work to convert our imagined future into reality.

All photographs (c) 1994, Laurie Toby Edison, from Women En Large: Images of Fat Nudes.

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Using Playboy to Peek into Feminist History

Debbie says:’

Gloria Steinem as Playboy Bunny with feminist captioning

Susan Braudy’s long piece at Jezebel, “Up Against the Centerfold: What It Was Like to Report on Feminism for Playboy in 1969″ is (constructively) less about Playboy than it is about her own feminist trajectory.

When you read these quotations, or Braudy’s whole essay, please bear in mind that, although Roxanne Dunbar(-Ortiz) gets one passing mention, it is entirely about white women, and thus replicates the great failing of contemporary feminism throughout most of its history (Laurie and I have a post in process about this).

Braudy brings in a surprise early:

Jim Goode, Playboy’s articles editor, … explained that Playboy wanted an objective account of the entire spectrum of the brand new “women’s lib” movement. “These women have important things to say, and I want our readers to hear them,” he said. “Let yourself go. Write anything you like but don’t pass judgment. Be fair.”

He concluded, “Write in a tone that’s amused if the author is amused, but never snide.”

He was more open-minded than Braudy was at that time.

At meeting after meeting I heard a wide range of women speak passionately or woodenly about their “women’s rage.” They hurled questions: Why did men insist they were “helping” a woman do her job if they did housework? Should women compete for power outside the home like men? Would women ever be as free to enjoy sex as men?

Yet I wasn’t ready to make the leap from anecdotes to political analysis. Of course I saw my husband as my superior intellectually and socially; that’s largely why I was drawn to him. I hadn’t consciously dared to resent this. I’d been given many votes of no confidence by men trusted with my higher education. My philosophy professor had given me an A before he bought me a chocolate chip ice cream cone and advised me to quit grad school and get married.

Braudy interviewed Ti-Grace Atkinson:

I said I loved my husband and I would have married him eventually, graduate school or no. But I had suffered during the early years of our marriage because my husband seemed so confident in his identity and work as a Yale graduate student of English, whereas I had no goal, except the marriage. “I pity you,” she said tears brimming her eyes. “How can you love the oppressor?”

… she added, though her manner belied the harshness of her words, that since I was taking advantage of the feminist movement to further my ambitions, I should expect little sympathy from her when Playboy put me out with the trash. 

The article takes us through meeting with Gloria Steinem (pictured above as a younf Playboy Bunny in a nightclub) and marching with Betty Friedan. Steinem recently made me and my younger colleagues furious by making  inexcusable comments about young women’s role in the current political process, which she has since retracted.)

While Jim Goode liked Braudy’s article, the story was not over:

I chatted with Nat Lehrman, the associate publisher and self-described “sex editor.” He (joked about castrating women, nervously jingling coins in his pants pockets.

My article had a couple snags, he said. By building my story around three central figures—Betty Friedan, Robin Morgan and Roxanne Dunbar—I’d been too sympathetic to “crazies” within the movement. Lehrman had penciled in a few suggestions which he said pointed up the differences between “the radical crazies and the moderates.” He apologetically read me his “minor” corrections. “It’ll be a snap,” he coaxed.

But within a few hours the experience of debating a Playboy muckety-muck about the existence of the clitoral orgasm lost its charm. I started to suspect our fights were turning Mr. Lehrman on. I was a soft-core interlude.

Hugh Hefner’s vast anti-woman diatribes followed Lehrman’s titillation. The article was cancelled, Shelley Schlicker was fired for trying to copy Hefner’s memos and get them to the press. Read Braudy’s whole piece for fascinating details.

Both Braudy’s trajectory and Playboy‘s panic are completely in line with their times. The article illuminates some of the tensions and complications of the women’s movement in the second half of the 20th century. I think it will be of interest both to people like me who remember those times, and people for whom the article is history rather than memory.