Tag Archives: fat beauty

Imagining a Body-Positive Future

Laurie and Debbie say:

Anna North’s recent article in Vox, “The past, present, and future of body image in America,” is an interesting experience for the two of us to read. We have recently completed an academic article, on submission to a special issue of Fat Studies, which is surprisingly similar in its scope and outlook to North’s piece. Assuming it gets accepted, we’ll share that here when it is published in 2022; meanwhile, North’s piece is a different trek over much of the same ground, well named as “the past, present and future of body image.”

North’s conventional journalistic opener quotes a directly affected person (in this case, Elena Ariza, now 21, talking about her experiences with body-shaming as a Latino student in a predominantly white California middle-school and high school.

bullying over weight and appearance is far from a thing of the past. In some ways, it might be worse now: The sheer number of images young people have to deal with every day has multiplied a thousandfold, and those images are often manipulated with Photoshop or filters that create a homogeneous appearance that’s unattainable for many people. “They manipulate your features to become Eurocentricized,” Reanna A. Shanti Bhagwandeen, a freshman at Bates College, told Vox. “It gets rid of, I guess, me.”

Meanwhile, many young people today say the term “body positivity” has been coopted by thin, white, or light-skinned celebrities and influencers — the same people whose looks have been held up as the beauty ideal for generations. What’s more, some of those influencers celebrate features once stereotypically associated with Black women, like full lips, even as Black women themselves remain discriminated against for their appearance.

She goes on to discuss the Facebook/Instagram issues which Debbie wrote about here last week, and later some of the public reaction to the leaked documents.

young people and educators say what’s needed most at this particular stage in the body image wars are guides to help people navigate the torrent of information they now get about their appearance. Teens and kids especially need regular education about “social media and what healthy relationships look like, and what body image means,” Pascale Saintonge Austin, who oversees the Just Ask Me peer education program at the New York nonprofit Children’s Aid, told Vox. “There just needs to be more of a conversation with our young people.”

North then takes us back into a very brief history of the roles of thin-ness and fatness in earlier centuries in Europe, and a somewhat deeper dive into the history of the fat acceptance movement. She is scrupulously careful to keep reminding her readers of the links between fatphobia and racism:

[In the early 1970s,] Black writers and activists were also linking weight discrimination and racism, as Briana Dominici notes at Zenerations. “I’m a woman,” welfare activist Johnnie Tillmon wrote in 1972. “I’m a Black woman. I’m a poor woman. I’m a fat woman. I’m a middle-aged woman. In this country, if you’re any one of those things you count less as a human being.”

“If you are a fat Black person, particularly a fat Black woman, you are more likely to receive worse medical care, you’re more likely to be discriminated against at your job,” [Sabrina] Strings [author of Fearing the Black Body: The Racial Origins of Fat Phobia] said. “There are all these ways in which having more than one identity characteristic that Americans deem to be coarse will put you in a position for facing greater amounts and different forms of oppression.”



In the last ten years, North recounts, things have begun to change:

Nothing happened overnight — in 2012, when writer and influencer Gabi Gregg posed in a “fatkini” and wrote about it for xoJane, the image of a size 18 woman proudly modeling swimwear was still unusual enough to go viral. And swimwear options for women Gregg’s size were still few and far between. The winds of change were blowing, however, as companies realized they could make money selling to the millions of American consumers who were being ignored or alienated by ultra-skinny models and restrictive size ranges.

In 2016, Sports Illustrated put its first plus-size model, Ashley Graham, on the cover. In 2019, brands like American Eagle and Anthropologie began expanding their sizing. The rise of direct-to-consumer brands advertising on Instagram also meant a wider array of sizes and a more diverse group of models appearing in customers’ feeds.

As both our forthcoming article and North are very aware, social media, of course, is a major driver of all the different things that are going on at the same time:

Maybe the biggest difference between the media environment today and in the ’80s or ’90s is that there’s just more now, of everything. Growing up, magazines were dominated by super-skinny models, but “you could take a break,” Austin said. “There was no Facebook or anything like that,” and “it’s not like you had Netflix or DVR.”

Today, by contrast, “it’s so much information,” Austin said. That information can include body-positive messages, but it also, increasingly, includes images of people who have had plastic surgery or use filters or Photoshop to look a certain way. “Everything is so enhanced,” Austin said.

And North and the two of us end on very similar positive notes. While the problem remains huge and the damage being done every day is real, nonetheless there are new kinds of paths through and resources to draw on:

In the wake of revelations about Instagram’s impact on young people, Congress has shown an appetite for increased regulation of social media platforms. Frances Haugen, the former Facebook employee who helped bring the company’s internal research to light, has suggested a number of reforms, including increasing congressional oversight, greater scrutiny into Facebook’s algorithms, and increasing the minimum age for users from 13 to 17.

It’s too soon to tell whether such reforms will pass or whether they’ll have a meaningful impact on the kinds of messages young people get about their bodies. But in the meantime, young people themselves are navigating the confusing sea of contemporary body image discourse, offering guidance and inspiration for others along the way.

Ariza’s advice is to “unfollow accounts that make you feel like you need to compare yourself or you need to change,” she said. “Follow people who are going to influence you to go on a 30-minute walk or read a new book or go visit this exhibit.”


Although she never says it in so many words, North’s article implies that she believes, as we do, that nothing can change if we can’t imagine it changing–and if we aren’t willing to work to convert our imagined future into reality.

All photographs (c) 1994, Laurie Toby Edison, from Women En Large: Images of Fat Nudes.


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Photo Notes: Feeling International

Laurie says:

I just got an email from Junko Fukazawa, who (among other things) writes, curates and gives workshops on feminism and art. She is one of the core of people that I work with on my Women of Japan Project. Her thoughts and support are very important to the work.

She is going to write a short article about Women & Art in the journal We Learn. It’s published by The Foundation of Japan Association for Women’s Education. The foundation is highly respected by the women’s groups and women’s centers in Japan. She will be writing from feminist perspective about a self-portrait of Alice Neel at 80, and an image (not yet chosen) from Women En Large.

(All links are to the magazines, not to the articles about me or my images. These are print publications and the specific articles are not on the web.)

I got me thinking about the fact that my work has been/will be in several international publications this year. In Korea, in a beautifully produced fashion/political magazine /Dazed and Confused/Korea. (There is also a British and a Japanese version of the magazine.) The article, Ugly Beautiful, was about beauty outside the narrow limits of fashion and was illustrated by a large number of images including mine, Botero’s and Irving Penn’s.

And in December, there will be an article about my work and Familiar Men in Filament. Filament Magazine is a quarterly magazine, self described as 72 pages of intelligent thought and beautiful men. The thinking woman’s crumpet. Their very thoughtful questions certainly lived up to their description, and I’m looking forward to seeing the article, which also includes a number of the male nude photos.

This seems like a good time to put up Junko Fukazawa’s image from Women of Japan and her text. She is a strong vivid and expressive woman, so portraying her in motion felt right.

Laurie asked me, “By the way, what should I say you do?”

Here it comes.

What is your specialty? What do you do?

I can never give a good answer.

Even though I am over 50 years old, I hesitate as to how I should answer these questions. The I who has been rejected by existing specialties, and the I who has refused to enter such specialties. Stuck between those two spaces I have continued to engage in my daily work and activities. I thought that by doing so I would eventually find my natural place. But I must soon accept the conclusion that this seems not to be the case. I feel a disconnect and an incompatibility between myself as a woman and the system that blankets Japanese society.

I went to an arts college and majored in oil painting. What controlled that arena was a male-dominant sense of values centered on sexuality and an atmosphere that extolled expressions of sexual violence against women. I could hardly stay in a place like that, even though to leave meant I was branded with the labels of failure, defeat, and dropping out.

As the years passed since I left my “specialty,” I have come to realize that the space that I have entered is much wider and deeper, and that the people I have met are far more enriching.

A friend I met a few years ago asked me to go with her as “just a woman” when she went to seek her just conclusion by going to confront the person who had assaulted her in the past.

“Just a woman.” I thought that was wonderful and an honor.

I still need to pursue much discipline before I can become a tried and true “just a woman.”