This portrait is of Kim Manri from Women of Japan. She is the director of Taihen, a disability dance company based in Osaka. It was shot in her studio in the space from which she directs her company.
Taihen’s work is remarkable. This is a group of performance photos taken in Jakarta, Indonesia in 2008.
These are Kim Manri’s words from Women of Japan:
The human body keeps changing all the time and can expand its possibilities infinitely.
Art should not be displayed, but should be what people living today need for their lives. So even if it is old, it must be infused with the breath of living now. In this sense, the human body is the highest art.
Human beings have a dual cosmos inside themselves. One is invisible: spirituality; and the other is material: physicality. Physical art for me is trying to confront and look at the dual cosmos of these human beings through bodies.
Physicality is needed to connect and integrate with the cosmos. The soul desires it and performs it as art. This is where I find the strong determination works. Art is created by the will of the cosmos.
In the process of clarifying my method of creation and reconsidering the process I engage in, I find art.
We were going to write our usual single-topic post today, but we kept sending each other too many interesting options. So here are a bunch of body image articles that we hope will interest you as much as they interest us:
It’s really good art and a powerful expression of the issues. We really want to see what he does next!
In the same post, Sparkymonster points out American Able, artist Holly Norris’s social commentary pastiches on a series American Apparel ads. Norris, and her model Jes Sachse, “intend to, through spoof, reveal the ways in which women with disabilities are invisibilized in advertising and mass media.” Norris has protected her work against reproduction around the Web and the blogosphere, so be sure and click through and take a look.
The whole feminist blogosphere is talking about the horrific procedures being done through the Medical College of Cornell University, in which babies who have large clitorises are subjected to surgeries and very very nasty follow-up procedures as young girls to “determine that they still experience sexual sensitivity.” (Very triggering information at the link.) Not only is this wrong in all the ways we’re sure you can imagine, it also (in the case of some of the young girls) disguises the reality of intersexuality into a vague and unfocused “abnormality” which is, without data, considered a “psychological risk.” Bird of Paradox, in one of many fine responses, focuses on the intersexuality issue.
I have to say that I’m completely mystified why the writers of any article detailing such shocking treatment and human rights abuses against intersex children should feel it necessary to leave out the salient fact that the subjects of the research are intersex. But one thing is clear: if we, as a society, are going to condone the treatment of intersex people like worthless lab rats and then deliberately airbrush them out of high-profile news stories about the injustices they’ve suffered, then how are we ever going to be able to start making amends for the human rights abuses inflicted against them in the name of medical science?
On a related note, professor and novelist Nnedi Okorafor writes about African reactions to her new novel, Who Fears Death, which approaches female genital cutting from a different perspective.
I am very proud of my Igbo-ness.However,culture is alive and it is fluid. It is not made of stone nor is it absolute. Some traditions/practices will be discarded and some will be added, but the culture still remains what it is. It is like a shape-shifting octopus that can lose a tentacle but still remain a shape-shifting octopus (yes, that image is meant to be complicated). Just because I believe that aspects of my culture are problematic does not mean I am “betraying” my people by pointing out those problems.
If you don’t think all bodies are beautiful, does that mean you have to think some of them are ugly enough to decapitate and replace with advertising? Interbest Outdoor Billboards has a new campaign to fill their billboard space that Shakesville finds especially disturbing.
What we notice here is that despite the snapshot quality of the photograph, for anyone who can shed their preconceptions, she’s attractive. One of the two other photos in the campaign (which you can see at the link) is a white man with his hands behind his back, so that his hairy chest and not-terribly big potbelly show over his white briefs. The photograph is cropped below his shoulders. He looks just fine to us. The campaign also includes a third photo, which is a close-up of an unshaved man picking his nose which, as Melissa at Shakesville points out, implies that “being fat is just a bad habit you don’t have the will or courtesy to break.”
Last week, Debbie posted about Neli, the young man who was arrested for being autistic and black. In the comments of that post, his mother pointed to this video, in which Neli tells his own story.
On the occasion of New York’s Gay Pride Day, the New York Times published a feature on Storme DeLarverie,, now in a nursing home in Brooklyn, “who fought the police in 1969 at the historic riot at the Stonewall Inn in Greenwich Village that kicked off the gay rights movement.” The article gives us some background on Ms. Delarverie and also reminds readers that “the first gay pride parade in 1970 was not a parade at all but a protest marking the one-year anniversary of the Stonewall uprising.”
Let us close with a fat-positive U.S. government stamp. There’s a nice short biography of Kate Smith at this link.