Monthly Archives: August 2021

‘Cause It’s Always Gotta Be Blood

Laurie and Debbie say:

In April of this year, gay Black musician Lil Nas X released a limited line of Nike shoes in collaboration with art collective MSCHF. The shoes featured a pentagram design and a sole filled with red ink and “one drop of human blood,” provided by members of the art collective. The 665 pairs of shoes sold in less than a minute (the 666th was supposed to be given away–gotta love Lil Nas X’s flair!), but the homophobic right-wing outrage was almost as quick and Nike halted the sale of all shoes that hadn’t been shipped.

Now, straight white skateboarding star Tony Hawk has sold out a limited edition of 100 skateboards, designed with paint which includes Hawk’s blood, and outrage is noticeably absent. (Read about this in Raffy Ermac’s article at Out, Lil Nas X Points Out Lack of Outrage for Tony Hawk’s Blood Skateboards.)

Needless to say, Lil Nas X is right: racism, homophobia, and double standards are all at work here, and we support him unconditionally.

At the same time, this makes us think about the role of blood in human culture(s). The title of this post is from Spike, a vampire character in Buffy the Vampire Slayer. Spike expands on that quotation by saying:

Blood is life, lackbrain. Why do you think we eat it? It’s what keeps you going, makes you warm, makes you hard, makes you other than dead.

So it’s no accident that blood-infused consumer goods are cropping up in the time of COVID-19, when being “other than dead” is on the mind of virtually every human being on the globe, including the affluent and comfortable, and the rich and powerful. It’s no accident that the complex and confusing aspects of COVID stem in large part from it being a vascular disease (i.e., a disease of the bloodstream), which is why it affects so many different human systems and has such a wide variety of symptoms and severity.

Spike (or his screenwriters) are correct when they say blood is life. Blood is a centerpiece of religions across the world, from the Jewish/Islamic conviction that menstruating women must be sequestered, through the Christian rituals of drinking the blood of Christ, to religions that demand blood and scarification. Blood is simultaneously unclean and purifying, terrifying and essential.

If two famous men in two very different subcultures have created consumer goods with blood in them, and both have had commercial success, you can bet your last late-capitalist dollar that more of these goods are coming. They will take many forms, and they will get many reactions: when women start getting on the bandwagon, a whole new set of horrified responses will appear on the scene … especially when it is menstrual blood.

It took 21st century technology and a global pandemic to quicken this trend; now we all get to watch it unfold. Somewhere, Spike is snickering gleefully.


Thanks to Alan Bostick for suggesting the Spike quotations. Follow Debbie on Twitter.

Follow Laurie’s new Pandemic Shadows photos on Instagram.



Photo in Exhibition in Barcelona

I’m delighted that this photo from Women En Large:  Images of Fat Nudes is in The Art of Photography – Barcelona  at the Valid World Hall Gallery. It’s a renowned center for the visual arts.


Although photography first emerged as a technological invention, it was also quickly conceived as an artistic practice as well. Pictorialist photographs in the nineteenth century were created to look like paintings, while advocates of straight photography in the first part of the twentieth century strived for the purely photographic means of creating photographic meaning. Street photographers devoted the medium to capturing the fleeting moment, while in the last part of the twentieth century many photographers turned to staging and directing in order to utilize photography for artistic visual communication. Art photography also includes numerous genres and creative practices from portraiture, landscape and still life to abstract and conceptual photography. In this exhibition we asked contemporary photographers to show how they understand photography as a fine art practice in the twenty first century. — Zsolt Batori, curator of the exhibition.

The diversity of the exhibition is impressive, but so is the breadth of 21st Century photography


Follow Debbie on Twitter.

Follow Laurie’s new Pandemic Shadows photos on Instagram.