A Third Gender: Beautiful Youths in Japanese Prints

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Laurie says:

I love the wood block prints from the Ukiyo-e (“floating world”) in the Japanese Edo period.

Kitagawa Utamaro – From the Series Fujin tewaza jūnikō (Twelve Forms of Women’s Handiwork)

There is an excellent article by Susan Chira in the New York Times about a stunning exhibition of prints from the Edo period in Japan. They are of a wakashu, who were considered a third gender. The article is thoughtful and discusses these works and their context both in Edo Japan and
in the present time.

A figure in a translucent kimono coyly holds a fan. Another arranges an iris in a vase. Are they men or women?

Wakashu and Young Woman with Hawks

As a mind-bending exhibition that opened Friday at the Japan Society (in New York City) illustrates, they are what scholars call a third gender — adolescent males seen as the height of beauty in early modern Japan who were sexually available to both men and women. Known as wakashu, they are one of several examples in the show that reveal how elastic the ideas of gender were before Japan adopted Western sexual mores in the late 1800s.

Suzuki Harunobu Youth on a Long-Tailed Turtle as Urashima Tarō

The show, “A Third Gender: Beautiful Youths in Japanese Prints,” arrives at a time of ferment about gender roles in the United States and abroad. Bathroom rights for transgender people have become a cultural flash point. The notion of “gender fluidity” — that it’s not necessary to identify as either male or female, that gender can be expressed as a continuum — is roiling traditional definitions. …

The wakashu are a case in point. The term describes the time a male reaches puberty and his head is partly shaved, with a triangle-shaped cut above the forelocks that is a telltale way to identify wakashu. During this stage of life only, before full-fledged adulthood, it was socially permissible to have sex with either men or women. …

It is one of the many reflections on contemporary society that this provocative exhibition raises. Walking through it is a reckoning with categories, definitions and how they resonate in societies still uncertain about whether lines between genders should be bent or blurred.

You really need to read the whole article to get a sense of what this means. There is also fascinating information and a video at the Royal Ontario Museum site , where the exhibition originated.


Hosoda Eisui – Wakashu with a Shoulder Drum

It runs til June 17th and I’m hoping to see it when I’m in New York.