Monthly Archives: January 2015

Bess Myerson: Famous Woman You May Have Heard Of

Debbie says:

I was struck by the headline of Katie Halper’s essay on Bess Myerson at Feministing: “Bess Myerson: The only Jewish Miss America, pianist, politician you’ve never heard of”

I remember Bess Myerson because I was a compulsive game-show watcher, and she was a regular panelist on I’ve Got a Secret. I knew she had been Miss America, and I knew she later became a highly influential consumer watchdog and advocate, and that she ran for U.S. Senator. When I saw Halper’s article, Myerson’s face and voice came back to me instantly.

myerson

Until I started reading about her, I didn’t know she was the only Jewish Miss America, ever, let alone that she refused to take a “more attractive” name when urged to do so by pageant organizers. Or that she got fewer offers to be a sponsor, and some country clubs and hotels barred her during her celebration tour. I didn’t know she was a pianist, and somehow I missed the fact that she was involved in a major money/politics/sex scandal in the 1980s and–even though a jury acquitted her on all counts–dropped out of her public life as a consumer advocate after that.

According to various obituaries and biographies, she didn’t like being described as an early feminist, saying she just did what she had to to survive.

Whether or not she was a feminist, she was a world-changing woman.

Had Halper not heard of her just because people drop out of sight and memory quickly? Because Myerson’s 15 minutes (in her case, more than forty years) of fame are over? Because women’s history is still a backwater, easily ignored or forgotten? Because Myerson was discredited in her later years, and thus lost status as an important woman?

Probably, all of the above. But I can’t escape the lingering sense that a white man with comparable credentials would be better known now than Bess Myerson is … and I can’t escape the near-certainty that none of her male game-show panelist colleagues ever did as much good in the world offscreen as she did.

Cid Pearlman Performance Projects: Economies of Effort

My daughter Cid Pearlman has a major work opening in San Francisco in February. I’ve been watching her work for over 25 years and the combination of beautiful complex dance and thought in her work continues to knock me out.

“Economies of Effort: 1” is an evening-length dance exploring the virtues of self-reliance and the creative impulse.
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rbp-eoe-1
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This interdisciplinary collaboration is the first installment in a planned triptych of performances by Pearlman on the theme of “economy.” Performed in the round, and featuring a set designed by visual artist Robbie Schoen that the dancers build each night as part of the choreography, “Economies of Effort: 1” aims to generate questions about the differences between creating something with bodies (theoretically intangible) and building something that has a solid shape (with the illusion of permanence).

Bessie Award-winning composer Albert Mathias will create an original score for “Economies of Effort: 1”. Just as the dancers take an active part in constructing the set each night, so too will they operate the music on two turntables and a laptop. In a radical act of self-sufficiency and self-containment – of economy, if you will – the dancers control all of the technical aspects of the production from the set to the sound and lighting.
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 dancer sitting on chair holding a drill

…Choreographed by Cid Pearlman, Economies of Effort: 1 opens Thursday, February 5, 2015 at the Joe Goode Annex in San Francisco, followed by performances at Motion Pacific in Santa Cruz and Pieter Performance Space in Los Angeles. This new work is created with and performed by Julia Daniel, Collette Kollewe, Claire Melbourne, Cynthia Strauss, and Chelsea Zamora.

“Economies of Effort: 2”
Created during a residency at Sõltumatu Tantsu Lava (Independent Dance Theater) in Tallinn, Estonia, the second installment in the triptych will feature four pairs of dancers – one couple, a mother and daughter, and two sets of close friends. Over the course of one month, I will work with each pair to create personal vocabularies tied to the subtle, often private, intricacies of their relationships. Each pair will map out a blueprint of a real or imagined space they share, on the floor of the theater. Then we will intercut the movement generated by the duets, swapping out who does what, overlaying the maps, and creating a more complicated polity that reflects on the complexity of relationships and the social economy of community. “Economy,” in this work, informs the process of making the dance as much as it does the content.

She’s doing a Kickstarter Campaign (Click on the link if you want to help.) for the final funding for the new works.

If you’re in the Bay Area and you’re coming to her show, I’ll be there Friday and Saturday night.

photos by Beau Saunders