Monthly Archives: January 2015

Cid Pearlman: “Economies of Effort” Show Premiere

Laurie says:

I wrote about my daughter Cid’s new work on Body Impolitic a couple of weeks ago.  Here’s part of what I said:

“My daughter Cid Pearlman has a major work opening in San Francisco in February. I’ve been watching her work for over 25 years and the combination of beautiful complex dance and thought in her work continues to knock me out.
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“Economies of Effort: 1″ is an evening-length dance exploring the virtues of self-reliance and the creative impulse.
This interdisciplinary collaboration is the first installment in a planned triptych of performances by Pearlman on the theme of “economy.” Performed in the round, and featuring a set designed by visual artist Robbie Schoen that the dancers build each night as part of the choreography, “Economies of Effort: 1″ aims to generate questions about the differences between creating something with bodies (theoretically intangible) and building something that has a solid shape (with the illusion of permanence).”
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As I said I’ll be at the San Francisco performance Thursday and Saturday night.  Her work is so layered, I  like to see it twice.

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Economies of Effort: 1 will premiere at; Joe Goode Performance Annex February 5-7 buy tickets, Motion Pacific February 20-22 buy tickets, Pieter Performance Space March 9,  donations

Zanele Muholi : LGBT Faces from South Africa

Laurie says:

Muholi’s powerful portraits of LGBT people in her community is stunning art and makes the invisible visible to us.  Her work gives us a sense of the reality of who the people in her portraits are, as they look at us. She is referred to as a visual activist and that certainly expresses itself in her work. We are looking at vivid powerful images of people she cares deeply about. I know that part of my deep response to her work is that I am also, in my way, a portrait artist and a visual activist.

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Collen Mfazwe – August House, Johannesburg

In Faces and Phases, Zanele Muholi embarks on a journey of “visual activism” to ensure black queer and transgender visibility. Despite South Africa’s progressive Constitution and 20 years of democracy, black lesbians and transgender men remain the targets of brutal hate crimes and so-called corrective rapes. Taken over the past eight years, the more than 250 portraits in this book, accompanied by moving testimonies, present a compelling statement about the lives and struggles of these individuals. They also comprise an unprecedented and invaluable archive: marking, mapping and preserving an often invisible community for posterity

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Charmain Carrol – Parktown, Johannesburg

Quotes below are from Erica Schwiegershausen’s article in NY Magazine:

For the past eight years, South African photographer and visual activist Zanele Muholi has taken portraits of queer and transgender individuals in her community. Her project began in 2006, when she first photographed her friend and colleague Busisiwe Sigasa, a poet and activist who was suffering from AIDS she’d contracted from a “corrective rape” — which remains a brutal and prevalent hate crime in South Africa. Eight months later, Sigasa died. She was 25.


“I’ve lost friends, and I wanted to remember my friends as beautiful as they were when I interacted with them,” Muholi told the Cut. After Sigasa’s death, she continued photographing LGBTI friends, colleagues, and acquaintances living in and around Johannesburg and Cape Town.  The resulting collection — which was first exhibited at the Yancey Richardson Gallery in 2013 — now includes more than 250 portraits, which comprise her latest book, Faces and Phases: 2006–2014.
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Lebo Ntladi – NewTown, Johannesburg

In a country where LGBTI individuals remain frequent targets of hate crimes and violence, Muholi’s work aims to increase visibility of gay and transgender experiences there. “I wanted to fill a gap in South Africa’s visual history that, even ten years after the fall of Apartheid, wholly excluded our very existence,” she writes in the book’s introduction. A collection of portraits, poems, and personal essays, Faces and Phases provides a sobering testament to the suffering and strength of its subjects. “I think it’s the first book of its kind in Africa that features black lesbians in a positive way,” Muholi told the Cut.

“My photography is therapy to me,” Muholi writes. “I want to project publicly, without shame, that we are bold, black, beautiful/handsome, proud individuals. It heals me to know that I am paving the way for others who, in wanting to come out, are able to look at the photographs, read the biographies, and understand that they are not alone.”

What she said – look at the slide show. See them all.