Laurie Toby Edison

Photographer

Women’s Friendship in the Worst of Times

Debbie says:

I don’t have a lot to say about Emily Rapp’s essay, Transformation and Transcendence: The Power of Female Friendship. Unless, that is, I write a book-length response.

It’s a very sad essay. I’m not so much one for trigger warnings, mostly because I believe people’s triggers are too complex and nuanced to be well-protected by warnings. Let’s just say that if you have a hard time reading about the slow, inexorable death of a child, you won’t find this easy. And who doesn’t? If you have a hard enough time that you don’t want to do that to yourself, don’t click the link. The quotes below dodge the hardest stuff.

Nonetheless, the essay isn’t about death, it is (as advertised) about the friendships of women. I love to tell people that the word “gossip,” so maligned in these times, means the talk of women, and it comes from the term “godsib,” or “god-sibling,” which was a medieval term for “best friend,” the woman who is not biologically my sister, but should be. Rapp isn’t interested in gossip, or etymology: she’s interested in how a particular group of women older than herself–women she worked with in a nonprofit in a country she didn’t know–led her to see the world in a different light:

They understood, together, as friends, and apart, as individuals in the world, the urgency of compassion, and that it often goes unnoticed but that this doesn’t make it any less important or vital or difficult to sustain and cultivate. And they also understood that you could try as hard as you possibly could, and disaster could still strike – mercilessly. Without warning, without fairness, and with fatal consequences. I wasn’t ready to change my man-chasing, embarrassing ways, but a seed was planted on that afternoon. Nearly fifteen years later I get out of bed each morning and am thankful that I wasn’t so myopically committed to old, tried myths about women’s roles that I couldn’t see what was happening in that room between those three women, or what was happening in my own mind.

While Rapp pursues her young-self goals of marriage and motherhood, her older friends (self-dubbed “The Wrinklies”) follow a different path:

The last time I saw the Wrinklies was in 1999 on a return trip to Geneva. The youngest of the three had had a stroke as a result of a brain tumor. These friends she’d worked and traveled and lived and laughed and loved with for over half her life rented a new ground-floor apartment that would accommodate a wheelchair, took shifts taking care of her, all the while holding down jobs that were about saving other people’s friends, other people’s kids, other people’s lives – not directly, no, but on the sidelines, behind the scenes… I was nervous as I sat waiting in a pub to see them all again, afraid of seeing my paralyzed friend. Would my face show a reaction that I didn’t intend? Fear? Disgust? The three of them came in together, smiling. The unaffected two had learned to understand the other’s few words; they wiped her face, helped her eat and made her laugh. This was a snapshot of what my own deep friendships could lead to: transformation. I saw, on that afternoon, that it’s possible to transcend the limits of your skin in a friendship. That a friend can take you out of the boxes you’ve made for yourself and burn them up. This kind of friendship is not a frivolous connection, a supplementary relationship to the ones we’re taught and told are primary – spouses, children, parents. It is love.

Support, salvation, transformation, life: this is what women give to one another when they are true friends, soul friends, what the Irish call anam cara. It’s what the Wrinklies did for one another, what the French resistance fighters in Auschwitz did for one another, what women do for one another in real relationships with real consequences in real time, every day, what my friends do for me. We help one another other live and sometimes, we watch – and help – one another die. It happens in movies, sure, but it also happens every day, in real life – now, tomorrow, yesterday. It is transformative and transcendent. It is real. It is love.

I have men in my own life with whom I have friendships with this strength and depth and power. I’m lucky. And when I think of those friendships, I think, “Those are like friendships with women.”

Unlike almost every other topic on the Internet, this one brought out the best in the commenters. Read the comments, if you read the essay.

We don’t write about these friendships enough, we don’t talk about them enough. But we live them every day and–speaking just for myself–I couldn’t live without my friends.

Thanks to Jill at Feministe for the pointer.

What Kind of Film Do You Want to Be In? Combatting Media Brainwashing

Lynne Murray says:

Sometimes I feel like I’m in one of those horror films where the entire population is increasingly infected by an incurable Body Hating Zombie Virus. Only instead of eating other people’s brains this sickness forces one to eat one’s own and pay for the privilege.

Jennifer Siebel Newsom’s film,Miss Representation, and the website/movement that goes with it, aim at a different goal for women: not purchasing power, but real power. The goal is to bring women together in dialogue, action and mentoring to break the advertising trance and redirect women’s energy away from buying the message and the products–and into running the store, and running for public office.

Miss Representation … exposes how mainstream media contribute to the under-representation of women in positions of power and influence in America. The film challenges the media’s limited and often disparaging portrayals of women and girls, which make it difficult for women to achieve leadership positions and for the average woman to feel powerful herself.

In a society where media is the most persuasive force shaping cultural norms, the collective message that our young women and men overwhelmingly receive is that a woman’s value and power lie in her youth, beauty, and sexuality, and not in her capacity as a leader. While women have made great strides in leadership over the past few decades,, the site points out, the United States is still 90th in the world for women in national legislatures, women hold only 3% of clout positions in mainstream media, and 65% of women and girls have disordered eating behaviors.

On getting to the website, a visitor is immediately offered the opportunity to sign a pledge “to challenge the media’s limiting portrayal of women and girls.” I did this, got on their mailing list, and begin to receive weekly ideas of “actions you can take immediately to make a difference…” For example:

…Remember your actions influence others. Mothers, aunts and loved ones- don’t downgrade or judge yourself by your looks. Fathers, uncles and loved ones—treat women around you with respect. Remember children in your life are watching and learning from you.

…Use your consumer power. Stop buying tabloid magazines and watching shows that degrade women. Go see movies that are written and directed by women (especially on opening weekend to boost the box office ratings). Avoid products that resort to sexism in their advertising.
…Mentor others! It’s as easy as taking a young woman to lunch. Start by having open and honest conversations with a young person in your life.

When I first planned to write about Miss Representation , someone pointed out that it seemed similar to Jean Kilbourne’s Killing Us Softly so I checked that out. It’s available in segments on YouTube

Miss Representation, as a film and as a nudge toward collective action, stands on the shoulders of Kilbourne’s pioneering work on media brainwashing. These films have some equally activist siblings, all of them addressing the insidious invisibility of the advertisers’ message. Kilbourne points it out clearly in the fourth revision of Killing Us Softly:

Advertising is more sophisticated and more influential than ever before but still just about everyone feels personally exempt from the influence of advertising.

I asked the first four people I spoke to after hearing this, and all of them confirmed her observation, saying they were not much influenced by ads because they seldom or never watch television.

Kilborne counters this mindset by listing some of the innumerable, half-invisible entry points through which ads can infect your mind:

The average American is exposed to over 3,000 ads every single day…. The ads, as you know, are everywhere. Our schools, the sides of buildings, sports stadiums, billboards, bus stops, busses themselves, cars, elevators, doctors’ offices, airplanes, even on food items like eggs. Almost every aspect of popular culture is really about marketing. (Killing Us Softly 4, part 1 of 2 on YouTube)

Watching Kilbourne’s YouTube slide show, I suddenly realized I had bought and read her paperback book a few years earlier. Seeing the ads in video format brought home to me how much more intense the film medium can be.

Images from film versions of books stick in our mind even when we reread the books. Harry Potter will always resemble Daniel Radcliffe in our minds. Even a documentary film is simplified and streamlined compared to a book; the visual nature of images and movies bypasses the forebrain and goes directly for the gut.

Advertisers know this better than anyone. The cultural goals that have been carved out for women in particular have sneaked into our brains and become an abnormal “normal” that needs to constantly be questioned.

Author Amy Ahlers expresses frustration at how advertising’s toxic self-assessments creep into our minds and color our self-worth in her essay “Big Fat Lies Women Tell Themselves: Ditch Your Inner Critic and Wake Up Your Inner Superstar”:

Studies show that only 8 percent of the images we consume are registered by our conscious mind. That means that 92 percent of the airbrushed, stick-thin, perfectly proportioned images infiltrate our subconscious minds, influencing the way we feel about ourselves. It’s an onslaught of insanity: all these unattainable bodies put before us as an ideal to strive for. As the supermodel Cindy Crawford once said when looking at her airbrushed, Photoshopped pictures, “I don’t even look like Cindy Crawford.”

We need to consciously work to win back our thoughts about how we are supposed to look. We need to overcome the Big Fat Lies about our bodies and our self-care. We need to tune in to our Inner Wisdom on a deep level and to practice, practice, practice, so that we can model a healthy relationship with ourselves.

It is refreshing to see independent and dedicated filmmakers fighting back.

One such is Darryl Roberts, whose America the Beautiful, targeting the unwholesome “beauty” standards Debbie reviewed in Body Impolitic in 2009.

Roberts aimed his cameras at the now $65 billion weight loss industry in a follow-up America the Beautiful 2, The Thin Commandments,

The Australian feminist group Collective Shout, which I wrote about here last year, is also aiming to raise awareness of the toxic and dangerous definitions being forced down our throats, and of course there are dozens (if not hundreds) of others.

Each group’s focus is slightly different, but they are all trying to help us shake free of the hypnotic media-induced trance and each invites to examine the advertising industry’s vision of womanhood:

Kilbourne remarks,

The ads decrees that women should be polished, perfect indeed flawless. She has no blemishes, indeed, she has no pores.” Such a woman also need not concern herself with ideas, as she is made to be seen and not heard. Her mission is to devote most of her energy into the quest for an unnatural, truly impossible beauty standard, which will supposedly result in the heavens opening up and showering her with all that she desires.

Sadly, the hook that the advertisers are setting is baited with an almost real, physiologically based experience of power that many people have, briefly, during their prime reproductive years, when nature heightens every hormone in humans to ensure the continuation of the species. The myth advertisers are selling is that this attractiveness can be captured, distilled and sold as a product and used to help the consumer stay young, powerful and vital.

Also highly disturbing is the advertisers’ use of shocking images to grab attention in this morass of advertising, particularly of shocking violence toward women. The advertiser’s “normal” world, where “all the women are flawless and men are Alpha” is also one where battering, gang rape and stalking are presented as appealing courtship modes.

Newsom, Kilbourne, Roberts, Collective Shout, and their allies are engaged in a fight to wake all of us up from the consumer ad dream/nightmare and energize our lives for real. It can benefit every one of us.

Sometimes I wake up from the Body Hating Zombie Virus film and get the much more positive feeling that I’m in one of those sci-fi movies where we’ve managed to contact The Resistance and there is still hope to save the planet. May the Force for Self-Empowerment be with you!

Filament interview with Laurie

Laurie says:

As I posted earlier, Filament magazine did an interview with me in their last issue. They are an English feminist erotic magazine that called itself the thinking woman’s crumpet. The questions were excellent and they chose a really good selection of the photos from “Familiar Men: A Book of Nudes.” The editor Suraya Sidhu Singh was a pleasure to work with.
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This is part of the interview:

In a world where beauty is portrayed almost exclusively as young, thin, white women, photographer Laurie Toby Edison works to reveal the beauty of people of all sizes, ages and ethnicities. Interview questions by Jacqueline Dunkley-Insight and Marta Owczarek.

• Tell us a little about how you got started in photography.

I had spent several years doing social change work on issues of body image – what was then called “fat liberation.” I was the token ‘thin’ woman on panels and at workshops where fat women discussed their social and political experience of being fat and we strategized about what could be changed and how. In working with these women, I realized that they were beautiful – and it was a kind of beauty that was almost never portrayed in the world we lived in. I literally became a photographer to portray this beauty. (I’d been an artist for years, but I had worked only in metal before.) I wanted my pictures of fat women to be fine art black and white photographs. I knew that high aesthetic quality would be essential to changing how people see. These portraits eventually became the “Women En Large” project, done in collaboration with my writing partner, Debbie Notkin.

• What inspired you to undertake the ‘Familiar Men’ project?

After completing “Women En Large,” I contemplated working with a wider variety of female nudes and realized that “Women En Large” was my artistic statement on the female nude. When I started to consider the male nude, I realized that, like fat female nudity, male nudity was unexplored and unrepresented except for a very few images of conventionally sexy men. I was immediately captured – I’m always pulled to work that is both artistically and intellectually challenging.

I wanted to do respectful nude portraits of real men, the ones in our lives, the men we see every day. They are largely invisible in a world where the dominant culture’s vision enforces a narrow stereotyped version of masculinity. An underlying theme of all my work is making the invisible visible. My goal was to photograph a wide and diverse group of men, of differing age, race, ethnicity, ability, class and size. Familiar Men continued my exploration and representation of the body and its images. And as with the Women En Large photographs, I knew that the aesthetic quality of the work would be crucial.

• How did you choose your ‘familiar men’?

When I see a person, I know whether or not I want to photograph them. I also see people differently at the beginning of a project than toward the end, because I have an aesthetic structure for the suite of photographs in my head. As the project develops, that structure evolves, and I know more about what’s needed.

I only photographed people to whom I could be introduced. I want the people I approach to have a context for me and the project. I needed both the greatest possible diversity and I knew I would have to work hard to get it. I also needed community feedback on Familiar Men. So, during the five years of the project, my collaborators (Debbie Notkin and Richard Dutcher) and I did a series of slide shows of the work in progress. We would talk about the work and ask people what they wanted to see and what was missing. Many of the models came from the slide show audiences or people they knew.

• Do you think women need or want their own porn or erotica, designed especially with women in mind?

I know that some women do. I think that the female erotic gaze differs from the male in many ways – although women, like men, vary greatly in in what arouses them. One example of a difference that I perceive is the intense focus on the penis in male erotica.

• Do you find your images sexual or erotic? Were there moments of erotic tension while shooting?

My images are portraits, and people are complex. I’m striving for as complete a sense of each person as I can portray. By definition, erotic and sexual images foreground at most one aspect of a person. Nudes do have a sensual quality, and I think that’s present in my work. What I want to show is an essential sense of who people are. I shoot in people’s chosen environments, frequently in their homes. I work with the models so that they can be as comfortable and relaxed in the moment as possible.This requires such a level of focus from me that, even if an erotic response were appropriate, I would have no emotional room for it.

• What sort of reactions did the men have upon seeing the resulting images? Did any of their reactions surprise you?

Being photographed by me is a process. I start with having coffee, showing the prospective model images of other people I’ve photographed and discussing the project. I explain early on that, as this is a fine-art project, the final image choices are mine. If someone is interested, I like to give them a month to think it over. This was a film-and-darkroom project, which affects both the timing and the kind of image(s) seen. Some time after the shoot, I show them the contact sheets (all the photos shot in small images) and then (frequently much later) my final photograph(s).

Many men were immediately delighted with the final image; some needed time to think and process. Most reacted very positively, and for some the image was revelatory. There were a few who, however much they may have appreciated the work, were not comfortable with their photographs.

I was not surprised by men’s final reactions, but I was surprised during the very early photography sessions because I had thought I understood how unused men were to being the object of “the gaze,” and how this would affect the sessions. I was wrong – I completely underestimated the issue. It takes far more work to make men comfortable with being photographed than women. One of the most effective tools I know for making people comfortable is to be silly in ways that make them laugh at me.

• Would you have chosen to do anything differently if you were creating ‘Familiar Men’ again?

I looked through the book before answering this question. I wouldn’t change anything important, but my eye and my work have moved on since I finished Familiar Men. I’ve changed aesthetic – I can always see differences and potential changes in previous work.

If you’re interested in getting the magazine, it’s available in these places including several in the US.

Birth Control: Back in the News

Laurie and Debbie say:

We were very impressed by this article by Valerie Tarico at truthout.org . Tarico couches excellent contemporary birth-control information in the context of Rick Santorum’s recent attack on birth control (“It’s not okay. It’s a license to do things in a sexual realm that is counter to how things are supposed to be.”).

Good news: Even if you feel hazy or muddled right now, you likely have access to technologies your parents could only have dreamed of. Bad news: The confusion is no accident.

Although the headline implies that she is simply writing about birth control misinformation coming from the right wing, the article is much more nuanced than that. She covers five things the right wing doesn’t want you to know about birth control, five that big pharma doesn’t want you to know, and five that the medical gatekeepers don’t want you to know. One thing all of these groups have in common is that they don’t want women to be able to control our bodies. Here’s one from each group:

Right wing: IUDs work by preventing eggs and sperm from hooking up. Opponents of abortion and contraception would have us believe that virtually all modern contraceptives are abortifacients. They especially have targeted the most effective contraceptives available, IUDs, with this accusation. In reality copper IUDs like the Paragard work primarily by inhibiting sperm motility, thus preventing fertilization. Hormonal IUDs like the Mirena work primarily by thickening a plug at the opening to the cervix —another means of preventing fertilization–and secondarily by decreasing ovulation. …

Pharma: The best contraception is also the cheapest. The most effective contraceptives on the market have the potential to kill some of Pharma’s big profit streams. The Paragard copper IUD, which is top tier from an efficacy standpoint (over 99%) offers the cheapest month over month contraception. The problem for Pharma: you put it in once and then don’t spend any money on contraception for the next 10 years. The Mirena hormonal IUD (99.8% effective once established), is more expensive, but has the side benefit of reducing menstrual bleeding and cramps over time by an average of 90%. Family planning practitioners who promote LARCs joke about putting themselves out of business. In contrast, Tarico says that one in twelve women on the pill gets pregnant each year, a higher number than we would have guessed.

Medical gatekeepers: The FDA lags behind. European women have an array of contraceptive options that either never make it to market in the U.S. or are delayed by anywhere from 5-20 years. American regulators are influenced by a litigious environment and by religious fundamentalists, which skew the equation toward inaction. For example, Nexplanon, the latest iteration of the implant, only just became available in the U.S. Similarly, the Mirena IUD has a long track record with women of all ages in Europe but is not yet approved for childless women here. By the time it was officially sanctioned in the US to regulate heavy menstrual bleeding (2009), it was already in use for contraception or bleeding by 15 million women worldwide. A frameless IUD optimized for small women is approved in the E.U., but hasn’t yet reached the U.S. market. If you want to know where contraception is headed, take a look at what Europeans are doing.

Many of the other fifteen points are just as rarely discussed.

So it got us to wondering why birth control has gotten so little attention and discussion over the past couple of decades.

One answer is obvious: the three groups that Tarico singles out are happiest if there isn’t a lot of conversation.

Another is that abortion is getting so much attention and is under such intense attack. This means that the heroes fighting to keep abortion safe and legal are too busy to look at birth control, and that the anti-abortion warriors are really busy with their main campaign. The war on abortion has pushed some of the truly fine birth control resources under the radar: Planned Parenthood (link below) not only has to spend energy fighting it enemies, it has to do what it can to stay out of the public eye, because every time it shows up in the news, the attacks get more fervent. Tarico’s other recommended resource, Bedsider (a new site launched by the National Campaign to Prevent Teen and Unplanned Pregnancy), is one neither of us had even heard of, and it looks excellent.

But why aren’t feminists talking much about contraception? Our guess is that it’s generally thought of as a “solved problem.” In most places in the United States, women who want contraception can get something. And feminists, with so many hot-button issues to concentrate on, may have been too busy to notice that that something is served with large doses of preconception, misinformation, and monetary gain. So wrong-headed Rick Santorum is, for the worst possible reasons, calling attention to something we need to look at more closely.

So, to close with more of Tarico’s words,

You really can manage your contraception. A decision about contraception can shape the rest of your life—your happiness, your ability to contribute to the world around you, the wellbeing of your children. Only you can weigh the risks and benefits of any given contraception against each other in the context of your lifestyle and life goals. To make the best decision possible, you need accurate information, and that means knowing what questions to ask, who to ask, and what factors may be biasing answers. An hour on the internet can fill your mind with rubbish about almost any medical technology. Alternately, an hour spent on sites that are rigorously fact based could mean you have more up-to-date information than your peers or even your doctor. (Bedsider.org and Planned Parenthood are among the best.) Tarico doesn’t mention Scarleteen’s excellent birth control bingo interactive site, so we will.

Thanks to F.S.J. Ledgister, who linked to this on Google+

A Guys Guide to Feminism

Laurie says:

We’ve always been impressed with Michael Kimmel’s thoughts on masculinity, which is why he wrote the introduction to Familiar Men:A Book of Nudes. Recently he and Michael Kaufman have written a book called A Guys Guide to Feminism.

Quotes are from Seal Press:

Authors Michael Kaufman and Michael Kimmel, two of the world’s leading male advocates of gender equality, believe it has everything to do with them—and that it’s crucial to educate men about feminism in order for them to fully understand just how important and positive these changes have been for them.

Kaufman and Kimmel address these issues in The Guy’s Guide to Feminism. Hip and accessible, it contains nearly a hundred entries—from “Autonomy” to “Zero Tolerance”—written in varying tones (humorous, satirical, irreverent, thoughtful, and serious) and in many forms (“top ten” lists, comics, interviews, mini-stories, and more). Each topic celebrates the ongoing gains that are improving the lives of women and girls—and what that really means for men.

This seemed like an appropriate place for a Familiar Men photo.

Here’s Michael Kaufman talking about The Astounding Simple Truth About Masculinity and Goodness (It’s well worth reading the whole post.)

To answer the question, “what is good about masculinity?”, we need to remind ourselves that:
Masculinity doesn’t exist. At least not in the way we think it exists. There is no timeless definition of manhood. It varies from culture to culture, era to era. It’s simply how we define manhood and how we define the relations of power among men and between men and women.
That means that masculinity (like femininity) is a collective hallucination. It’s as if we’ve all taken the same drug and walk around imagining that masculinity is real. We might assume it is biological, we might think it comes from being male or female, but in truth, each culture makes it up.

…and here’s the great paradox I’ve written about for the past three decades:  the very ideals that confer and represent power and privilege, are a death trap for men. They are a source of enormous pain, isolation, and fear. The reasons are many: To demand that any human not feel or express pain is impossible. To push boys (and men) to ceaselessly prove we’re real men leads to a constant dialogue of self-doubt about making the masculine grade.

And them he goes on to discuss what is bad and good about masculinity and concludes:

So, rather than talk about what’s good about masculinity, I’d rather encourage both boys and girls, men and women to do two things:  To celebrate and nurture the human qualities that are good for us all. And, secondly, to allow for true individuality: yes, some of us will be more one thing or another. Let’s let our boys and girls be those things without wedging them into the miserable world of pink and blue.

And it’s so good to hear people saying what Debbie and Richard Dutcher said in their essay in Familiar Men.

Rescue: A Useful Step on the Brainstorming Road

Lynne Murray says:

Some advertiser (I can’t be bothered to find out which) is wooing ‘60s nostalgia money and set a 1965 song to ringing in my head these days and thinking about how songs echo life strategy problem-solving tactics. The song is Fontella BassRescue Me

Even though this was Bass’ only major hit, she co-wrote it and I’m glad to report that she is still alive. I’m less glad to report that she has to fight to be reimbursed for all the many ways her song is still being used.

Sadly, women’s fantasies of being rescued by a knight in shining armor, are still a popular idea in life as in literature, even nearly fifty years later.

Popular music is hardly the only social force suggesting a passive role for women, and many men cherish the thought of riding to the rescue. When I think about this as a way to solve problems Barbara Sher’s book Wishcraft keeps coming to mind, probably because I used it myself some years back as a guide to starting my own business to subsidize my writing.

I can still visualize the page in Chapter 6 where Sher suggests brainstorming–listing as many solutions as you can think of to any given problem, just listing them without censoring:

That’s how brainstorming often works. You think of all the staid, sensible, obvious ideas first, like scholarships and loans. Then come the “rescue fantasies”: someone is going to come riding along in a white Cadillac, carry you away, or appear mysteriously on your doorstep with a check for a million dollars. Being free to give those fantasies a legitimate place on your list brings liberating laughter—and only then do the really audacious, original ideas begin to flow.

You notice she’s not suggesting following the rescue fantasies as life plans. Janis Joplin’s plea for supernatural intervention to secure a Mercedes Benz wasn’t really a life plan either:

Looking up the rescue concept online renewed my old acquaintance with Heartless Bitches Website, which is always fun.

My favorite was Jane:
-I don’t expect Prince Charming to rescue me. I’m an 8-year practitioner of martial arts with a 2nd degree black belt. I would probably have to protect Prince Charming in any sort of potential bodily altercation. I really am a GI Joe type myself and prefer to date dangerous men–Navy SEALS, Marine Recon, Firemen, Navy pilots, Cops.. you know, men who can throw me in a bed, and in turn, don’t mind if I do the same to them. Nice men are just that–nice, and best left to nice women who prefer to live mundane, Leave-It-To-Beaver existences.

-I believe having kids is an option, not mandatory. After all, it is my body, dammit. Should I choose to have one, I will ensure that she can fully take care of herself in any regard.

-I don’t believe women should be married until they’re at least 30 and have figured themselves out and have developed some sort of clue when it comes to life, love and the universe as a whole. This will also enable them to have to learn to take care of themselves financially.

Also included are some real-life role models and books.

In emergencies, rescue is totally appropriate, but rescue fantasies shouldn’t stand in the way of anyone’s learning how to stand on her own, plan for the future and use resources at hand to rescue herself and build herQ1` own dreams.

New Year’s Resolutions: Lose Fat Hatred

Laurie and Debbie say:

Happy New Year!

We’ve been big fans of s.e. smith at This Ain’t Livin’ for a long time, so it’s great to have such a timely post to write about. In the maelstrom of New Year’s resolutions, she wants us all to remember:

Fat hatred kills. It kills every day in insidious, sneaky ways, and every January, the dieting resolutions are a reminder of how fat hatred kills, by creating such intense social pressure to lose weight. Some of the people pushing their bodies in the coming days and weeks may push them too far. Some people consumed in self hate may turn to more aggressive measures when their weight loss doesn’t go fast enough, like eating disorders and excessive exercise, or invasive surgical procedures to completely reroute their digestive tracts so they can’t absorb nutrients properly.

Others may push the people around them into bad places; the parent who stresses out a teenager, for example, with constant dieting and exercise talk and statements about how fat is disgusting. The ‘pacts’ to lose weight in the new year where people may become competitive, or may goad and push each other into dangerous activities. When one partner loses more weight more quickly than the other because of quirks of biology, metabolism, life, bodies, it suddenly becomes a measure of personal worth instead of a fact of life. The person who keeps the weight off by force of will, by radically cutting calories and exercising aggressively, becomes a figure of hatred and envy while the person who gains the weight back is ‘disgusting.’

Read the rest; it’s all this good.

It got us to thinking about several things: first of all, how New Year’s resolutions have a tendency to be slightly disguised lists of what we don’t like about ourselves. The whole standard list of resolutions–not just “lose weight,” but “cleaner house,” “more organized,” “finish my novel” and so many more–are really rephrased self-criticisms. They sound all virtuous and improving, and it’s a little too easy to ignore the ways in which they encourage us to undermine ourselves.

Second, the specific “lose weight” resolution has a nasty unintended consequence. Because losing weight, and keeping it off, is so extraordinarily difficult (and for some people, impossible without major intervention), it’s a resolution with an especially high failure rate. (Don’t believe losing weight is difficult? See this recent article, or Gina Kolata’s brilliant Rethinking Thin, among many other sources.) Resolutions to do things that actually affect your health and can be not only easy but pleasant, like eating more vegetables and getting more exercise, are a lot more effective in improving your life. Since the giant cultural push is to frame those things in terms of “losing weight,” people who don’t succeed at weight loss are more likely to go back to junk food and couch surfing because they feel like failures, while they might actually make real change if they picked more achievable goals.

Finally, s.e. smith is so articulate about how fat hatred kills that she doesn’t have to move to the next step: hatred kills. Being hated and oppressed is a key factor in life expectancy, health, and quality of life. And hating isn’t good for a person either. Fat hatred doesn’t just kill because it’s fat hatred; it kills because it’s hatred.

Body Impolitic’s 2011 Guide To Sane Holidays

Laurie and Debbie say:

This list is for those of us fortunate enough to have people and resources to celebrate with. Even if you love the holidays, love your family, and are looking forward to the season, you still may find useful hints here.

1) To the extent possible, do as much or as little holiday stuff as you want; it’s supposed to be a celebration, not an obligation.
2) If you have enough to give to someone who has less, this is a good year for it.
3) Spend time with people you love and who are good to you.
4) Wear what you think you look terrific in; accept compliments and ignore digs about your clothes.
5) Eat what you enjoy. Desserts are not sinful, they’re just desserts.
6) If you must spend time with awful people, remind yourself three times (out loud) before you walk in the door that they are awful people. Then do something really nice for yourself the minute you can walk out the door. (If the people are not just awful but abusive, here’s some good advice. [The original link died - this is a live link to the same material.])
7) Plan your responses to inevitable comments beforehand. Try not to spend energy on what they say, because they probably aren’t going to stop. For example, if you know that your mother will overfeed you and then, just as dessert is being cleared off the table, say “You look like you’ve gained weight,” try, “That was really a fabulous meal. Excuse me, I haven’t had a minute to talk with Aunt Mabel.”
’8)’ If the holidays make you sad, or you just hate them, you’re not alone. Participate as little as possible. They’ll be over soon.
9) If you know someone who is having a crappy holiday, take a moment to do something for them that they will enjoy.
10) If you think kids are fun, they can be a great escape from the adult follies. If kids drive you crazy, be as patient with them as you can or keep your distance: they didn’t overstimulate themselves with sugar and toys.
11) You have a right to enjoy things in your own way.
12) Be effusive about every gift you get; then be discreetly rude about the awful ones later to your friends. If they’re really awful, throw them off a bridge in the middle of the night.

If these aren’t your holidays, have a great Chinese meal and enjoy the movie!

We’ll be back in the beginning of the New Year.

Heightism: What They See Is What We Get

Debbie says:

It’s no secret that people, and especially men, are judged by their height and that height in men is linked to power and perceived power. Here’s an anecdotal illustration from The Social Complex, a blog focusing on “heightism.”

For a “person on the street” experiment, this one is well constructed. Two white male actors who look rather alike, are dressed alike, and are extremely different in height: one is 6’4″ and the other is 5’2″, are recruited for the project. I would have liked them to include a third man of a more average height.

Passersby in New York City are asked to speculate as to the men’s occupations and salaries. The tall man is a doctor, an executive, a tycoon. His estimated salary goes up to half a million dollars a year (the average was $220,000). The short man is a cook, or holds a minimum wage job of some kind. They guessed his average yearly earnings at $20,000. And one woman volunteers the theory that he’s unhappy. So we have this experiment’s conclusion: $5,000 annually per inch. And many studies, some reported here, bear out this discrepancy, although not quite so dramatically.

This is just another of the many ways we make assumptions based on what we can see, without any other information about a person. In some ways, height is especially interesting because it is so completely understood to be outside of a person’s control. (Skin color, of course, is also outside a person’s control, except for some extreme interventions. But skin color is loaded with all kinds of–incorrect and noxious–preconceptions about character, history, and experience.)

If anything about people’s bodies was perceived as a neutral characteristic, height would be a logical choice. So along with illuminating heightism, this little video illustrates just how deeply we are affected by how the people around us perceive what’s visible about us.

Thanks to Sociological Images for the pointer.

Korean Sex Slave Sculpture Confronts Japan

Laurie says:

Many of the feminists I’ve worked with in Japan have been doing activist work for years with Korean feminists on the issue of the World War II Korean sex slaves. (The Japanese called them comfort women.)) So I learned from them a lot more about the horrors that were perpetuated on these women. The link is to the Wikipedia article. It’s worth reading all of it. The issue was originally raised in Korea by the Korean Women’s Movement.

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Quotes are from the New York Times

SEOUL, South Korea — The unsmiling teenage girl in traditional Korean dress sits in a chair, her feet bare, her hands on her lap, her eyes fixed on the Japanese Embassy across a narrow street in central Seoul. Within a day, the life-size bronze statue had become the focal point of a simmering diplomatic dispute as President Lee Myung-bak prepared to visit Tokyo this weekend.

The statue, named the Peace Monument, was financed with citizens’ donations and installed Wednesday, when five women in their 80s and 90s, who were among thousands forced into sexual slavery for the Japanese military during World War II, protested in front of the embassy, joined by their supporters. Such protests have been held weekly for almost 20 years.

For them and for many other Koreans, the statue — placed so that Japanese diplomats see it as they leave their embassy — carries a clear message: Japan should acknowledge what it did to as many as 200,000 Asian women, mostly Koreans, who historians say were forced or lured into working as prostitutes at frontline brothels for Japanese soldiers.

The Japanese government’s main spokesman, the chief cabinet secretary Osamu Fujimura, called the installation of the statue “extremely regrettable” and said that his government would ask that it be removed….South Korea made it clear that it had no intention of forcing the protesters to remove the statue.

..“The victims are over 80 years old and passing away, and the government is not in a position to tell them to remove the statue,” said Cho Byung-jae, a spokesman for South Korea’s Foreign Ministry. “Rather than insisting on the removal of the statue, the Japanese government should seriously ask itself why these victims have held their weekly rallies for 20 years, never missing a week, and whether it really cannot find a way to restore the honor these woman so earnestly want.”

A handful of elderly victims and their supporters — whose numbers have varied from a dozen to a few hundred — have rallied in front of the Japanese Embassy each Wednesday since Jan. 8, 1992.

The issue of “comfort women,” … is among the most emotional disputes stemming from Japan’s colonial rule of Korea from 1910 to 1945. Japanese officials have apologized but insist that the issue was settled in the 1965 treaty that normalized relations between the two countries.

In 1995, Japan offered to set up a $1 billion fund for the victims. But the women rejected this plan, because the money would have come from private donations, not from the government. What they want is a formal apology and an acknowledgment of legal responsibility from the Japanese government and reparations for the individual women for their suffering.

During a two-day trip to Tokyo that starts on Saturday, Mr. Lee plans to raise the issue of compensation for former sex slaves with Prime Minister Yoshiko Noda …

The Japanese government, courts and particularly the conservative LDP party have resisted any legal responsibility for what happened to these women. (There have been limited _very_ carefully worded apologies over the years that still deny legal responsibility.)

Time is running out. In the 1990s, there were 234 Korean women willing to break decades of silence on their history as sex slaves. Now only 63 remain.

And clearly this is an example of the political power art can have.

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