Category Archives: sexuality

Dickanatomy, Dickonomics, and Dickfuturology

Debbie says:

Even when I’m screening for good Body Impolitic fodder, I rarely find three great links on any one topic … and when I do, it’s not usually male sexual organs.

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First, Diane Kelly at Throb reports on a genuinely new anatomical discovery.

… no one knew much about how the lymphatic vessels were arranged underneath the skin, which limited treatments for swelling and increased the risk of complications during surgery.

So in a wince-inducing imaging experiment, Yan Liu and his colleagues at the Third Military Medical University in Chongqing, China built a map of the penile lymphatic system using MRI images captured from volunteers who agreed to have a medical contrast agent injected under their foreskins.

The results, published in the Anatomical Record this week, show that lymphatic vessels in the glans and foreskin form a network across the upper surface of the penis before merging to form larger vessels that send fluid into lymph nodes embedded in the groin. The network isn’t connected to the erectile tissues in the center of the penis, suggesting that those tissues have their own independent set of lymphatic vessels.

Then, Alana Massey at Medium has some scorching things to say about “dickonomics” on dating sites (especially Tinder), and how women who have sex withi men can think about choosing among possible partners.

Dick is abundant and low value. I had gotten my new motto amidst the worst break-up of my life. Shaken to my core by the degrading insults my ex had hurled at me but also mourning the permanent departure of some poetically good dick, I was spending a day mindlessly refreshing Twitter and reading up on how to spot sociopaths. I came across two tweets from Madeleine Holden, a lawyer and writer who regularly entertains the Twitter masses with her unapologetic analyses of toxic masculinity and her praise of amazing female-identified people:

1 G-bMq6iDoaXX7W2xdh61AwFor all its faults, I still find Tinder delightful. I’m now 29, and I set my upper age limit to a reasonable 37, my lower age limit to a rather scandalous 23. No one can address me without my consent, which I can withdraw with an unceremonious “Unmatch” at any time. … But I’ve found enough value on Tinder to keep going, swiping and unmatching bad profiles out of my life at the first sign of unreasonable expectations. Their corner of Tinder is a dark place, dense with hapless souls who didn’t realize that the centuries-long period of dick overvaluation is over.

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Finally, George Dvorsky at io9 has entirely too much fun imagining “the penis of the future,” which is, among other things,

  • disease resistant (“a high-tech penis could be implanted with bio-sensors that detect specific foreign pathogens, alerting the rest of the body to their presence,”),
  • shape-shifting (“Ideally, men should be able to change the smoothness of their penis, or its surface structure. Penis 2.0 should be like an on-demand French tickler, with modifiable ridges, grooves, and bumps to enhance the sexual pleasure of the receiver.”) and
  • internet ready (“Once your dick is online you’ll be able to participate in virtual sex. … With the enhanced, Internet-ready penis, no external devices will be required. You could also use your bluetooth-enabled penis to track and transmit biometric data and other statistics to an online app. … Oh, and a connection to the Internet will also allow you to update any software that’s resident in your upgraded penis.)

You’ve heard of the “internet of things”; this is the “internet of schlongs.”  Read the whole thing, some of which is serious and all of which is entertaining.

Thanks to hitchhiker for the dickonomics link.

“Body of Work”: Embodying Queer Disability

Debbie says:

I promised that I would review “Body of Work,” a spoken word show curated by my friend Gina de Vries, which promised to explore “queerness, sexuality, disability, chronic illness, and the question: ‘How do you have a body?'”

Body of Work is a new show, so it was fitting that the first version explored a lot of fresh territory. All six performers were at a high standard, so I’ll say something about each of them, and what I feel they brought to body image.

Tobi-Hill-Meyer-for-Body-of-Work-300x300Tobi Hill-Meyer used both spoken word and film to explore what happened to her at a Feminist Porn Awards show, when she and her girlfriend were harassed by a security guard for making out in the gender-neutral bathroom (!). Hill-Meyer has severe Multiple Chemical Sensitivity, and had to wear her breathing mask in the bathroom because of those (horrible!) scent-releasing machines which hotels and other public venues will claim make life “better.” The mask changes her breathing, which is what attracted the guard’s attention, and also confused the guard about her gender. The result: disability and trans identity come together in a miserable institute of harassment (which was, fortunately, resolved fairly cleanly, but left both Hill-Meyer and her girlfriend traumatized). This piece was very clearly narrated, and the film (of the makeout session in the bathroom stall) brought an immediacy to it which strengthened the impact.

CinnamonCinnamon-Maxxine-Photo-1-for-Body-of-Work-300x297 read a raw, powerful open Dear John letter to their fears, anxieties, and limitations, a letter which revealed not only their vulnerabilities but also their anger against racism and the ways the world holds them back. The letter morphed into a beautiful transformative burlesque dance, done with a slideshow of the song lyrics in the background.

 

 

 

 

Katherine Cross created a context for the intersections of autism, trans identity, and sexuality using two video games: Bayonetta, a high-graphics video game about a sexy succubus who is the viewpoint character, and Error 404, a Twine game where your job is to pleasure an extremely demanding (and kinky) artificial intelligence. Cross drew the connections between learning sexuality from the outside (Bayonetta’s imagery) and from the inside (Error 404’s exploration), and brought the two back into her own sexual experience in an intense and moving presentation (with game screenshots in the background).

Neve Be provided a long, painful autobiographical screed about their sexual history, interwoven with disability experiences and experiences of racial oppression, powerfully narrated, with back-up electronic music which was intended to be (and was) disquieting and disturbing.

Rachel-K-180x300Hearing a performer talk about extreme social anxiety is particularly powerful, because they are there in front of you, telling you about the challenges of being there. Rachel K. Zall embodied this very well. I especially appreciated the casual, unstressed way in which she talked about overcoming (and not always overcoming) extraordinary challenges.

Finally, curator Gina DeVries, limited by strep throat (and unable to MC the show), read a short piece about sex and chronic pain, and being with a lover who was not only supportive of zir pain issues but also open to continued sexuality through pain limitations.

How do you have a body? By opening up the raw places, and finding joyous spaces inside. If this show runs next year (or anywhere else in between), with these performers or different ones, don’t miss your chance.