Trans Day of Visibility

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Debbie says:

What’s more appropriate for a day of visibility than pictures?

These three are Laurie’s photographs. The top image of is a trans woman from Laurie’s extended family. The lower two are her photograph of Kellan from Women En Large and a fortunate paired photograph of the same person, now Jerry, in Familiar Men.

And then a few other photos of various out transpeople, some famous and some not, some folks I know and some not.

Janet Mock

Kingston Joseph Faraday

Charlie Jane Anders

   Mars Ganito

Julia Serano

Trans people. Visible. Doing work, making change, living lives.

Microsculpture: Glorious Bugs

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Laurie says:

Levon Biss is a well known British photographer who recently completed a remarkable series of insect photos from their collection for the Oxford University Museum of Natural History. The photographs are remarkable for their beauty, detail and exhibition size.
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Biss’s passion for nature and photography have now come together to create Microsculpture, a unique photographic study of insects in mind-blowing magnification.  For his latest personal project, Biss embraced the world of macrophotography and has taken the genre to a new level.  His photographs capture in breathtaking detail the beauty of the insect world and are printed in large-scale formats to provide the audience with an unforgettable viewing experience.
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Tricolored Jewel Beetle

Biss explains his photographic process:

Each image from the Microsculpture project is created from around 8000 individual photographs.  The pinned insect is placed on an adapted microscope stage that enables me to have complete control over the positioning of the specimen in front of the lens.  I shoot with a 36-megapixel camera that has a 10x microscope objective attached to it via a 200mm prime lens.
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Jewel Longhorn Beetle

I photograph the insect in approximately 30 different sections, depending on the size of the specimen.  Each section is lit differently with strobe lights to bring out the micro sculptural beauty of that particular section of the body.  For example, I will light and shoot just one antennae, then after I have completed this area I will move onto the eye and the lighting set up will change entirely to suit the texture and contours of that part of the body.  I continue this process until I have covered the whole surface area of the insect.
Due to the inherent shallow depth of field that microscope lenses provide, each individual photograph only contains a tiny slither of focus.

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  Marion Flightless Moth

To enable me to capture all the information I need to create a fully focused image, the camera is mounted onto an electronic rail that I program to move forward 10 microns between each shot.  To give you an idea of how far that is, the average human hair is around 75 microns wide.  The camera will then slowly move forward from the front of the insect to the back creating a folder of images that each have a thin plane of focus.  Through various photo-stacking processes I flatten these images down to create a single picture that has complete focus throughout the full depth of the insect.
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Tiger Beetle


I repeat this process over the entire body of the insect and once I have 30 fully focused sections I bring them together in Photoshop to create the final image.  From start to finish, a final photograph will take around 3 weeks to shoot, process and retouch.

The equipment involved in this project is clearly amazing. I’d love to know more about the people who designed and built the equipment and how the whole project came together.

A gallery of some of his insect photographs is here. The details are amazing at every level of magnification. The web site design itself is a marvel. Take time to see all of them.