Memory Landscapes: Going to Brooklyn

Laurie says:

I posted recently about shadow photos for my Memory Landscape project. Check out the whole project here.

“These photos are images that may be part of the aesthetic of memory, where rather than have your mind go from one associative memory to another, instead it goes very briefly to a space that is not about remembering but simply about being. I’m in a place where I am considering things rather than making decisions.”

For myself, I think of it as my mind going to Brooklyn. And Emma Humphries, who is working with me on the tech for this, is simply calling these images Brooklyn.

Guerrero Tree ShadowsfinalTree branches on Guerrero St, where I live now.


While the project has a very strong intellectual framework, I’m fundamentally thinking about it visually. Seeing extended patterns of memory images, some times partially changing, sometimes not. When Emma was talking to me about the code, she drew some it out for me in pictures (we both think in pictures in different ways). Then I realized that the html code and the hyperlinks were very much my memory visualization, and just how well suited this language is for a non-linear memoir. A non-linear memoir feels much realer to me than the usual narrative forms that we use to reframe and remake our stories in. So there seems to be a deep harmony between Emma’s use of code language and the visual language of my art.

Shadows Roxburytrees final 3Trees and sky in Roxbury in upstate New York, where I lived along time ago.

Guerrero wires ShadowsfinalLamp post and wires on Guerrero St.


If you look at these images and the ones in the previous blog, you can see the harmony between them.  At the moment that feels very right to me, and may have ways of developing that I’ve just realized while writing this post.

I’m still considering the kinds of images I want for the brief state of simply being, but these will be part of the work in progress. As the new associative memory images and paths develop, I’ll be posting about them.

Luscious Bodies: Lascivious Backlash

Laurie and Debbie say:

In Australia, the handmade cosmetics company Lush has launched an advertising campaign called “Go Naked,” which, as Brad Esposito at BuzzFeed reports, has met with both praise and opposition.

four happy naked women from the back, touching each other

Most responses to the campaign have been positive,says Courtney Fry, an employee and one of the models:

“We have also had requests from customers wanting to continue the campaign in store and pose for the photo themselves as they felt it helped their children grow up feeling that their bodies are natural and normal, not something to be ashamed of and have our insecurities exploited for the sale of cosmetics.”

but a few complaints caused the Australian Advertising Standards Board to declare the images “pornographic” and ask Lush to remove them from a mall in Queensland, which the company agreed to do.

Laurie's photograph of five fat nudes at Baker Beach in San Francisco

These images are close to our hearts. Laurie’s photograph above, from Women En Large, is fine art and not advertising, but the commonalities with the Lush campaign are very real. Both, for very different purposes, are committed to showing real bodies, women comfortable together, and satisfied with who they are.

While it’s no surprise that a small portion of the population finds these images disturbing and inappropriate, it’s interesting to think about why. The complaints quoted in the BuzzFeed article are all about what children will see: the images were apparently on large billboards at eye level.

three women with triangular solid shower gel covering their private parts

To worry about children seeing these photographs, you have to make several assumptions. So many parents displace their own fears, discomforts, and learned objections onto their children.

First, they assume it’s inappropriate for children to see nudity (or certain kinds of nudity). Why? Because children can be (“because I am”) unsettled and confused by sexuality (which we are bombarded with in thousands of ways every day) and somehow sexuality and nudity have become conflated, even though almost everyone is nonsexually nude for at least some moments every day.

Second, they assume it’s inappropriate for children to see (“for me to see”) certain kinds of touch. The women touching each others’ butts in the top advertisement are not engaging in sexual behavior, but they are engaging in intimate touch, and many people have no concept of intimate nonsexual touch, so the connection must be sexual or it would have no context and be incomprehensible.

Third, these images raise fears that your child might become a Lesbian, or bring home a fat sweetheart, or whatever combination of fears you have for your child’s puberty, adolescence, and adulthood.

Finally, and most threatening, pictures like these (and like Laurie’s) normalize a kind of body comfort and comfort with other bodies which children might (“oh, how horrible, I might”) begin to believe is okay, or even something to look for in life.

Lush has the right idea:

Lush’s Australasia director, Peta Granger, said the decision from the ASB would not affect the way they advertise in the future.

“We want our messages to empower people, not make them feel awful about themselves over a body that is probably not ever real due to how much it’s been digitally ‘enhanced’.”