Monthly Archives: May 2010

mixed feelings

Marlene says:

In 1992, I remember watching Bill Clinton answer questions on MTV. He was asked what he thought of the prohibition of military service by gays. His answer was that he disagreed with it and that if elected, he would change it. I turned, and looked at my lover, and said “WE WANT WHAT??!!”

Well, Bill got his ass handed to him on that one, and many of our asses too. I’ve since come to take a slightly different view of the issue. I still find militarism repulsive, but I might be convinced that there are still reasons for concerted group use of force. More important, I feel that opening military service to all is the only way to expose a piece of our culture to the light of reality; to make the most homophobic members of America’s traditional military class understand the simple fact that it’s just not a big fucking deal.

This speech is more militaristic than I would like, but it is impassioned and true and fresh air to hear in one of our houses of government.

[the video shows Rep. Steny Hoyer (D-MD) giving a speech in Congress in favor of repealing Don’t Ask Don’t Tell]

When People Help: Battered Women, Staged Scenes, and Interventions

Our technical problems are fixed, thanks to Paul at Juniper Webcraft, our dauntless webmaster. And we’re off to WisCon 34. We may blog from there; otherwise, we’ll be back in very early June.

Laurie and Debbie say:

Jezebel and Sociological Images crossposted this piece reporting on a segment on ABC’s tv show “What Would You Do?”, a 20/20 spin-off which contrives uncomfortable situations to observe and analyze what observers and bystanders do, and then reports on their findings.

In this case, the situation involves a conventionally pretty, heavily bruised woman in a busy restaurant with an angry “boyfriend.” The man and woman are both actors, but if you don’t know that, it seems very clear that he’s beaten her before, and he’s ready to do it again.

The clips are both at the Jezebel link. Be warned that they contain significant, upsetting instances of verbal and physical violence against women. They cannot be stopped, fast-forwarded, or paused.

In the first clip, first two white actors and then two African-American actors play out the scene. A man and a woman eating together intervene immediately with the white woman.  Two sisters intervene immediately with the African-American woman, and they are rapidly joined by more women.

In the second clip, the same four actors play out similar scenes, except that the women are dressed for an evening out. As Lindsay said on Jezebel, “we’re talking clothing that’s pretty average for a Saturday night, not Julia Roberts’ blue-and-white monokini-thing in Pretty Woman.”

No one, not one diner, helps either woman, though the scenes went on for 25 and 16 minutes respectively, an extremely long time.

Both Lindsay and Samhita at Feministing are, as we are, very aware that these encounters are what Samhita calls “subject to multiple variables and staged.” One variable that no one else seems to mention is extremely important: in the second set of clips, both men are criticizing the women for how they are dressed, thus making the clothing choices even more of an issue than they might be otherwise.

In the clip where the women look hot, two white women find it easy to assume that the African-American woman is a prostitute, whereas no one says that about the white woman. And, as the African-American actress points out, if she was a prostitute and he was a pimp, that would in no way justify how he is treating her.

In the “hotter” sequence, as well as an earlier sequence they cut to from a different episode (in which the woman is not dressed up), there’s a clear message from the male bystanders that beating your woman isn’t wrong–what’s wrong is doing it in public. One of the ways that these scenes are contrived is that the women’s bruises are very obvious (made with makeup) while in the real world they would be covered by makeup. Far far far too many people still believe that “taking it private” is the important part, and protecting the woman is irrelevant or at best very secondary.

The clips, and the show, are about when and how people intervene. Sometimes a person can be too scared to intervene, or paralyzed by not knowing how to intervene. These skills can be learned, and practiced; one of the many sad moments on these clips is watching a woman berate herself and feel guilty because she felt she didn’t do enough. In an abuse culture, whatever we do to stop abuse is definitionally incomplete. People who want to intervene more actively are better off cutting themselves some slack and examining where they got stuck than beating themselves up.

It’s encouraging to see people intervening, and doing it well. Intervening is complicated, and one way people convince themselves not to intervene (as comes up in these clips) is because they know, correctly, that when an intervention is not a rescue, it often results in the perpetrator doing more damage to the victim at the first opportunity. Nonetheless, as Alice Miller and many others have demonstrated, intervening is incredibly important. It gives the victim the confirmation of a “good witness,” someone who knows that the victim doesn’t deserve what is happening to her, and is willing to stand up for her. Not intervening never saves the victim from harm.